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Silhouettes profiles Kent Bailey

Kent Bailey

This article originally appeared in the Sept. 8, 2017 edition of La Gaceta

By: Tiffany Razzano

Though he carved out a successful career for himself as an attorney, the law was never Kent Bailey’s first love. Instead, deep down, he had always dreamed of one day being a published author.
But law wasn’t even his second or third or fourth love. (Those would be beer, music and business, not necessarily in that order.)
The Virginia native – he grew up just outside Washington, D.C. – initially studied English and creative writing at George Mason University. He only went on to earn his law degree from the University of San Diego because “it seemed like one of those jobs where I could actually support myself,” he said. “It had nothing to do with a love for the law.”
So in 2011, nearly a decade into his career, his mind began to wander to more creative endeavors. He had been experimenting with home brewing for a couple of years at that point, and toyed with the idea of starting a brewery. “Every home brewer dreams of running a brewery as soon as you brew that first beer,” Bailey said.
But he pushed that thought aside and decided he would finally write his novel. The brewery plan kept calling to him, though. “Every time I sat down to write this novel, I got stuck,” he said. “So I started writing a business plan for the brewery instead. I would sit down to write and I would think, will it be the novel or the business plan? And I would always go with the business plan. I took that as a sign that I should go in that direction.”
That business plan became the foundation for Ybor City’s Coppertail Brewing Co.
Like many, Bailey fell in love with beer as a college student. A study abroad trip in Europe introduced him to new styles and expanded his knowledge of beer. “While backpacking, that was my first time really experiencing beer that wasn’t Bud Light, Miller Light, that kind of thing,” he said. “I loved encountering things that seemed so exotic, but are common to me now, like Guinness.”
After returning home from that trip, he brewed his first batch of beer. “It was horrible,” he said. “I hated it. My friends hated it. I decided I don’t really need to brew it; I’ll just drink it.”
He spent a year working in the Washington, D.C., area before following his parents and brother to Tampa in 2002. He took a job as in-house counsel for a private investment firm.
In 2009, he discovered Cigar City Brewing. “That really opened my eyes to what beer could be,” he said. “I started to get excited about craft beer.”
Everywhere he went, he would try a new brand. “Dogfish Head, Victory, my love affair just grew. But it produced in me a desire to see more Florida beer on store shelves,” he added. Often, he’d go to the supermarket and would only see one or two local beers available.
It wasn’t long before he began brewing beer with a friend, and, eventually, on his own. He brewed those early batches on his kitchen stovetop before being relegated to the garage by his wife. “She didn’t like me constantly spilling things, so she kicked me out to the garage,” he said. “I decided that meant I should buy more and bigger equipment.”
In 2013, he “took a leap that to me makes such perfect sense, but to so many people was unbelievable” and put his business plan into action. He connected with Casey Hughes, head brewer for Flying Fish Brewing Co. in New Jersey, and hired him to work for the newly founded Coppertail Brewing. Hughes, an award-winning brewer, had started his career with Key West Brewing and always planned to return to Florida. This was a fortuitous meeting for both of them.
Bailey knew he would need to create an imaginative brand, something that would stand out to beer drinkers. The company’s name came from a story his daughter told him when she was 5 years old. Coppertail was a sea monster who lived in Tampa Bay, she told her parents. “I loved it immediately, and it became a running joke in my family,” he said. “I loved the sound of it. I loved that we could have a lot of fun with the sea monster theme with the beer names and labels. I really wanted the brand to be about Florida and water and all the things that make this place unique.”
So he and his staff built the brand around “this mysterious and elusive beast that’s out in the water, that nobody knows anything about, but every once in a while you just see this copper tail,” he said. Each beer they brew tells the story of “an encounter or sighting of Coppertail.”
He hired artist Evan B. Harris to create the labels. “I really wanted the artwork to be distinctive,” Bailey said.
Other brewers were mimicking popular beers on the market. So he decided to take Coppertail in the opposite direction. “It felt like everybody else was going with cans that were brightly colored and looked exactly like Cigar City,” he said. Coppertail, on the other hand, was sold in glass bottles and its label art boasted a distinctively dark and moody look. “I wanted people to be able to say, ‘Hey, I knew this [beer] was from you guys because it looks like it’s from you guys.’”
Next they established their “core four” beers, Bailey said – Free Dive, Unholy, Wheat Stroke and Night Swim. These are their most popular beers, he added, though Wheat Stroke will soon be replaced with the Independent Pilsner.
“Free Dive was one of the first beers we ever made and it was all about not trying to be like Jai Alai. The idea was, let’s be the opposite of Jai Lai,” he said. “Cigar City already makes Jai Alai better than anybody else. Why compete with them?”
Coppertail began brewing beer on a larger scale and opened a small tasting room in an historic building on East 2nd Avenue during the summer of 2014. The building has served many purposes for more than a century, but many of Ybor City’s older residents are most likely to remember it as a Hellmann’s mayonnaise factory and an Avila olive packing plant.
He had fallen in love with Tampa, Ybor City especially, and wanted to do his part in preserving its history. So he restored the older building as best he could, though the roof needed to be raised and the concrete floor strengthened.
That first tasting room didn’t fit many people, maybe 40 or 50, at best, he said. “I remember walking into that little room and seeing it jam-packed and realizing there was a market for our beer.”
He scrambled to borrow money, and not only expanded the brewery, but also built a larger tasting room and restaurant. “Ever since we opened this area, it’s been a good decision, because it brought a lot more people in,” Bailey said.
He had planned on this growth from the beginning, he added. He realized that the number of breweries per capita in Florida was lower than in other states though demand was rising. “There really wasn’t enough of them,” he said. “Craft beer was underrepresented in Florida. From day one, we were pretty focused on wanting to grow and being ready to grow when that happened. We figured why not? If we grow, we’ll be ready, and if we fail, then it doesn’t matter anyway.”
He hasn’t forgotten about that unfinished novel, though. “Maybe one day I will actually write something worth publishing,” he said. “But for now, this is a whole lot of fun and it takes up all of my energy and creativity. Making beer is a fun and creative practice.”

Silhouettes profiles Marilyn Meredith Collier

Marilyn Meredith Collier


By: Tiffany Razzano

This article appeared in the Aug. 18, 2017 edition of La Gaceta

As a native of Nashville, Tennessee, Martine Meredith Collier was surrounded by the arts from an early age.
Her parents, though not artists themselves, always encouraged her love of self-expression and creativity, she said. So by the time she was 7 years old, she was part of the Nashville Children’s Theatre.
“[Nashville] is a fabulous arts community with great universities and wonderful art,” she said. “That children’s theater was fabulous training ground. It was an excellent theater.”
She performed through high school and at 16, became a dancer for Minnie Pearl, a country comedienne and singer who appeared at the Grand Ole Opry for more than 50 years and was also a part of the television show “Hee Haw.” Pearl, whose real name was Sarah Ophelia Colley Cannon, lent her name to a fried chicken franchise in the late 1960s. Collier was one of six dancers hired to help her promote that endeavor.
“Minnie was nothing like her character on stage,” Collier said. “She was actually a Nashville society lady – Mrs. Sarah Cannon. She was tough like a drill sergeant. If we were going out to events with her, she was very strict. But she was a wonderful role model for leadership, when I think back now, seeing how she carried herself and seeing what a powerful leader she was and how protective she was of the people who worked for her and how professional she was. Those mentors you have early in life you don’t realize will have a long-term impact. But there’s no doubt that she did. She was pretty impressive and she was quite forceful.”
Collier went on to study acting at Memphis State University and acted professionally after graduating. She was involved with professional theaters in Memphis, and also, for a period, joined a dinner theater tour of Tennessee and Oklahoma. “I sort of phased out of Memphis and did quite a bit of traveling for shows,” she said. “I didn’t like that much. I like having my own community and kind of being a catch to that community. When you’re touring around like that, you can’t even have a house plant or a cat. It’s very nomadic. It just wasn’t me.”
At 25, she took her first job in arts administration – an assistant director position at a children’s theater, the Red Balloon Players, in Memphis. “I really liked that,” she said, “and got more into marketing, fundraising and arts administration, and really found my niche.”
This launched a whole new career “behind the scenes” for her. In addition to the arts, she also held administrative roles within the non-profit sector as well, at universities and arts-oriented schools.
Though she loved the arts, she found being in administration was a better fit for her. “The life of an artist is very difficult and unpredictable,” Collier said. “I really appreciate that and have lived that, and that’s why I support artists. They do so much for the community, but don’t always have a good safety net.”
She added, “I’m much better in the audience and helping them get funding and promotion than being an artist.”
From 1990 to 2002, she served as director of admissions, development and public relations for The Heritage School. She then joined the Georgia Council for the Arts for one year as community arts development manager. This is when she decided to go back to school to earn her masters in arts administration from Goucher College in Maryland.
She held the district chair at the Arts Leadership League of Georgia from 2004 to 2006, before heading to Florida to take on the executive director position for the Sarasota County Arts Council for two years.
Next, Collier spent two years in Seattle as director of development and membership for Grantmaker in the Arts. From there, she landed in Dayton, Ohio, an eight-county regional organization in the Miami Valley, to serve as president and CEO of Culture Works. She left that role at the end of 2016 to become the executive director of the Arts Council of Hillsborough County. She’s excited to be supporting the arts in Tampa and Hillsborough.
“I think this community is just bursting with potential and so much has happened here in the past eight years,” she said.
While working for Sarasota County Arts Council, she had the chance to visit and explore Tampa. “It’s such a different community now,” she said. “The downtown is so vibrant and young artists are bubbling up all over. I love the diversity of the community and the different ethnicities. It’s such a great melting pot.”
Collier has spent the past eight months getting to know her new community. “I went on a listening tour when I first got here,” she said. “I talked to all the arts organizations. The people in the business community. The school board. They all gave me such good information to help form a direction for the organization. Everyone has been so warm and welcoming.”
She added, “I’m having a blast and I just think the world of this community. It has so much potential to become nationally known for arts and culture. It’s already nationally known for its sports, but I’d love it to become known for the arts.”
At the end of June, the Arts Council board voted to implement a new strategic plan. The plan is the result of a community-wide study that was conducted throughout the county with the help of Americans for the Arts. “We compiled a lot of data and found out what the community would like to see and what would help them connect with the arts in our community,” she said. “Basically, what can we do better and what needs can we fill.”
A common suggestion in the survey was that the organization create an annual guide to the arts in Hillsborough County. So Arts Council staff got to work to quickly put together a guide in time for the fall season, Collier said.
“I have to commend the staff of the Arts Council,” she added. “The two staff members who did this pulled it together in five weeks and it looks like it took more time than that. It looks quite stunning.”
The guide will be available at various arts and cultural locations throughout the county. “This is a real tool for every citizen in the community to find museums, venues and probably places they don’t even know about,” she said. “There’s not been anything here quite like it before. I think it’s going to be very helpful.”
Another result of the survey and new strategic plan is that the Arts Council will focus more on “cultural equality,” Collier said. “We want to make sure grant making and all aspects of the community are reaching everyone. We are looking to get more diversity on our board and committees. This means geographic diversity, meaning different parts of the county; ethnicities; and age.”
The organization will also plan a summit on issues of cultural equity, she added.
The Arts Council hopes to connect with local educations by adding an arts education component to its website, as well. It will be a resource for teachers and parents seeking opportunities for area students.
Collier is also excited about a special event on Thursday, Sept. 14, 8 a.m., at the Tampa Theatre. National expert Randy Cohen, who vice president of research for the Americans for the Arts, will present on “Why the Arts Mean Business for Tampa Bay.” Community leaders, business owners and arts organizations are invited to this free event, which will focus on the economic impact of the arts, including tourism and job creation, in Hillsborough. An economic impact study completed over a year ago shows there is a $433 million annual economic impact on the county, Collier said.
“That’s a huge increase over what it was when it was last done 10 years ago,” she added. “I think Tampa and Hillsborough County are at a wonderful tipping point for growing and connecting the arts community and being more nationally recognized for arts and culture.”

Silhouettes profiles Grant Mehlich

Grant Mehlich

By: Tiffany Razzano

This article appeared in the Aug. 4, 2017 edition of La Gaceta

When Grant Mehlich landed in Tampa in 2006, he only knew one person in the area.
Born on the East Coast of Florida in the small beach town of Stuart, just north of West Palm Beach, he headed to Tallahassee to study at Florida State University after high school. From there, once he earned a degree in economics and finance, he went to New York City for three years.
He’d only visited Tampa once before, for Gasparilla. “So Tampa wasn’t even on [his] radar” when he began thinking about his next move. “But I came and visited my friend and really fell in love with it,” he said.
He took a job with a large insurance brokerage firm in Tampa. Mehlich knew he needed to find a way to meet new people, so he turned to the best place he knew for that: FSU’s alumni association.
He joined the Tampa Bay Seminole Club, the alumni association’s local offshoot. “I wanted to meet more people and obviously, being a Seminole, one thing we all have in common is we all love our school,” he said. “If you’re a graduate of FSU, you love your school.”
He became heavily involved with the club immediately – today, he’s club president – and founded one of its signature events, the Tampa Noles Block Party. “Our job is to promote FSU in the community and raise awareness,” he said. “One thing we’ve done really well is throw this block party.”
This year’s event is set for Saturday, Aug. 12. Check-in starts at 2 p.m. at the Italian Club and takes place at 18 venues spanning four city blocks. “We go all night long,” Mehlich noted. The club expects around 4,000 attendees.
He added, “When you look at it from an economic development standpoint, we’ve injected over $1 million into the Ybor City community [since it first started]. Many of the bars tell us it’s one of their largest days, of the year in sales, and even rivals Gasparilla.”
Regular tickets are $25 and tickets the day of the block party are $40. Since its inception, the event has raised more than $400,000 for local scholarships through ticket sales. “Everything we collect literally goes to local students,” Mehlich said.
Last fall, the Tampa Bay Seminole Club donated $50,000 to the FSU CARE program. It was the largest single donation in the club’s history and it was also the largest single donation to CARE through its matching grant program. “The really cool thing about this program is it was earmarked and matched by the state dollar for dollar,” he said. So because of the club’s efforts, the CARE program received $100,000. The donation funded 33 scholarships for students from Hillsborough County to attend FSU.
CARE, which is an acronym for the Center for Academic Retention & Enhancement, assists first-generation, low-income and predominantly minority students attending FSU. Many of them are high-risk students as well, Mehlich commented. He added, “Some of these low-income students don’t have that support mechanism, they don’t have families, some are, in fact, homeless and at high risk of dropping out.”
So CARE does more than simply fund their education, it serves as a support system throughout their four years at FSU. “This really sees them through the entire process,” he noted. “The program has a 90 percent graduation rate. It’s astronomical and fantastic what it does. It’s just an amazing program.”
He learned about CARE through a FSU-sponsored leadership conference. “It really struck a chord with me,” he said. “It was never on my radar until then. We’re really impressed by it. It’s such an incredible program and I was shocked to even find out about it.”
Tampa Bay Noles Club also has its own, separate, $250,000 scholarship endowment that it uses to support FSU students from the Tampa Bay area.
The club’s fundraising efforts caught the eye of the local University of South Florida alumni chapter. Last year, the USF group approached the Noles for assistance with creating their own pub crawl block party to serve as a scholarship fundraiser.
“Obviously, we’re in USF’s backyard and outnumbered by them 4 to 1,” Mehlich said. The USF chapter is hosting its second block party a week after the Noles on Saturday, Aug. 19. “There’s a friendly rivalry, but from a scholastic standpoint, we have no problem helping them out.”
He added, “[University of Florida] might be a different story. I don’t know if I’d be as helpful to them as I was with USF.”
The Tampa Bay Seminole Club, which taps into the nearly 20,000 FSU alumni in the area, hosts a number of other events throughout the year from networking meetings to game-watching parties at area bars, including Gaspar’s Grotto. The group also recently launched Tampa Noles Ladies Night Out at a South Tampa Painting With a Twist, which drew a number of female FSU graduates and their families.
Mehlich is involved in the community in other ways, as well.
These days, he operates his own company, GCM Insurance & Risk Management, which he founded in 2009 based in Ybor City, “I could not have picked a worse time to start a business,” he said. “It was the height of the economic recession, my mother got sick, and this all happened in six months. I had a lot on my plate. But I could not have had a more rewarding experience.”
He also lived in Ybor City at the time, his love affair with the historic district dating back to his early days in Tampa. “I thought I was going to move to South Tampa, where all the action is,” he said. “By chance, I took a wrong turn and discovered Ybor City and fell in love with it.”
Though he now lives in Seminole Heights, he remains a major proponent of Ybor City, where GCM is still located. He’s also on the board of the Ybor City Development Corporation (YCDC), which he currently serves as treasurer. “I’m essentially the treasurer of Ybor City. We manage the CRA funds for the area on behalf of the City of Tampa,” Mehlich said.
He’s proud of the YCDC’s long-term planning for the district and said the group is starting to see the results of its efforts. “We really organized in helping Ybor through the transition. With the downturn in 2009, 2010, Ybor City was struggling,” he said.
There are a number of new businesses and development projects planned in the neighborhood that will really transform it and “change everyone’s perception of what Ybor City is.”
The area has already changed significantly since he first moved there in 2006. “When I decided to move to Ybor, people thought I was crazy,” he said. “Friends said, ‘You’re literally crazy.’ This was pre-transition [into what the district is today].’”
He added, “Now, some of these people are moving into Ybor or I see them every weekend here. It’s really cool to see the accomplishments we’ve had.”

Comic Gallagher Coming to Ybor

By: Mike Merino
Published Aug. 4, 2017

The Tampa Bay area has raised its share of topflight entertainers over the years. Superstar wrestler Hulk Hogan, baseball great Lou Piniella and actor Channing Tatum are just some who got their start on the streets of Tampa Bay.
But on August 12, Tampa`s most famous funnyman will be performing his outrageous act in historic Ybor City.
Gallagher`s reputation as a cottage-cheese-and-watermelon-smashing comedian was forged in the ’80s on the strength of his many TV cable specials and highly interactive performances.
Few may know that this internationally known melon-slayer grew up in the Cigar City, and that his rise to fame and fortune was developed as a youth in a local roller-skating rink.
Now a ripe 70 years old, Gallagher is coming for a free outdoor performance at the historic Centro Asturiano. Robby Steinhardt, a Tampa native, rock violinist and former singer with the rock group Kansas, will be singing his hits with Tampa Bay`s own Stormbringer. Other musicians and a variety of vendors and food trucks will participate at this daylong event.
***
Leo Gallagher was born in 1946 in North Carolina. When he was nine, his entrepreneur father, always searching for a reason to move to Florida, packed up the entire family and moved to the Sunshine State. While Gallagher, whose nickname is Butch, was enrolled at Tampa`s Oak Grove Junior High, his father opened the “Roll-A-Rink Skating Center” on North Armenia Avenue, located just on the outskirts of West Tampa. His family of six lived behind the rink in a three-bedroom mobile home. “I became an excellent speed and figure skater, which helped my confidence,” said Gallagher, who added “I was also an Eagle Scout.”
An intelligent student, Gallagher went to Plant High School. “I was quite mischievous in those days, hanging out with my buddies and pranking folks at the Steak ‘n Shake across the street.”
Despite his youthful antics, Gallagher went on to college and graduated from the University of South Florida with a degree in chemical engineering. “I minored in English literature, which comes in handy when I mock language in my skits,” said Gallagher. “I often laugh to myself over the fact that I really wanted to be a scientist.”
After college, and still his outrageous and boisterous self, Gallagher decided to be a comedian. “I looked up my first talent agents in the Tampa Yellow Pages and found two,” said Gallagher. “One agent got me my first melon-smashing act in a bowling alley. The other agent introduced me to nationally known, comic/musician Jim Stafford. I began working as his road manager.”
Gallagher and Stafford hit it off. They traveled to California together in 1969. Soon he decided it was time to start performing by himself. He began honing his own act while frequenting many comedy clubs in the Los Angeles area. He was repeatedly denied appearances on the “Tonight Show” in the 1970s and 1980s because Johnny Carson disliked prop comedy. However, he was admired by a few of Carson’s staff. Gallagher eventually performed several times on the “Tonight Show” when guest hosts were filling in for Carson. Gallagher attributes the success of his career to his beginning appearances on Carson’s show.
***
As a child, Gallagher`s mother knew he despised fruit, particularly melons. She tried to force them on him to help reverse his recurrent constipation. He eventually thanked his mom for being fruit-pushy because it resulted in him earning millions.
Gallagher is most recognized for his finale when he smashes fresh fruit all over the front row with the audience, loving every juicy piece flying aimlessly over their entire bodies. However, a clear plastic cover is draped in front to protect their clothing.
This portion of the act is a parody of ads for the Ronco Veg-O-Matic, a kitchen appliance made popular from the mid-1960s through the 1970s. He wrote the routine for the “Sledge-O-Matic” and sent it to George Carlin and Albert Brooks so he could say that he had written a script for some well-known comics. “I`m glad they didn`t take it, I might have ended up as that scientist,” Gallagher said.
Throughout his comedy career, Gallagher has always cherished his upbringing in Tampa. His memories of the area are strong and he has many friends and family still in the vicinity.
However, with over four decades on the road, his health has taken its toll. He has suffered four heart attacks, replaced two coronary stents and made numerous trips to the E.R.
“Despite my health challenges, as long as I can breathe and move I`ll keep performing and tearing down the house with my personal brand of outrageous thinking-man’s comedy,” said Gallagher. “Just show up in Ybor and be ready to get smashed.”
The Ybor City Melonfest Featuring Gallagher and Artie Fletcher is scheduled to take place:
When: Saturday, Aug. 12, 1 to 8 p.m.
Where: Centro Asturiano, 1913 N. Nebraska Ave., Tampa
Admission: Free. Vendors, food trucks, live music.
Info: (813) 229-2214

Silhouettes profiles Donna Lusczynski

Silhouettes
By Tiffany Razzano
Originally published April 21, 2017

As a child growing up in New Jersey, Donna Lusczynski never dreamed of a career in law enforcement. But that’s where she ended up, eventually serving the community as a colonel in the Hillsborough County Sheriff’s Office. She’s the first woman to hold the rank, which she considers an honor.
Initially, Lusczynski was drawn to marine biology and thought one day she might work with dolphins.
After graduating from high school, she looked into marine biology programs in Maine and Florida. Ultimately, she decided to move to an area with warmer weather and attended the University of Tampa.
Lusczynski was also mildly interested in criminology. “So I took those courses along with my marine biology ones,” she said.
After several years at UT, she realized it was unlikely she would land her dream job. “I was thinking Sea World at that point, but it was difficult to get into without a lot of connections and further schooling,” she said. So she switched her major to criminology.
During her senior year, she interned with the Tampa Police Department to ensure that law enforcement was the right path for her. “Immediately, I got hooked,” she said, “and I realized I wanted to pursue it. The more I was immersed in it, the more I really felt a connection.”
She was hired by the sheriff’s office and began attending the police academy before UT’s graduation ceremony took place.
She started off as a patrol officer before joining the Street Crimes Unit, the lower-level drug crime unit in the sheriff’s office. She worked undercover in the University of South Florida area. After eight months, she became a detective and moved up to the narcotics and vice squads. “We were trying to target higher-level dealers, not just those selling on the street corners,” Lusczynski explained. “We worked to identify drug organizations and take those people off the streets.”
She also did some undercover prostitution work with the vice squad. She worked in narcotics and vice from 1994 to 2000.
That’s when she was promoted to corporal and moved to internal affairs. It was an entirely different animal compared to narcotics and vice cases
“It was a big challenge because it was completely different,” she said. “With narcotics and vice, you’re essentially committing a crime for a better purpose. In internal affairs, you’re investigating the behavior of other personnel. It was a challenge, but it was a great experience for my career. I got to deal with all areas of the office and it helped me get a bigger view of the total operation of our agency.”
She earned her stripes as sergeant and moved to the Juvenile Services Section of the Criminal Investigations Division in 2004. From there, she moved into the newly created Child Protective Investigations Division. “We started that from the ground up,” she said.
The sheriff’s office took over operations from the State Department of Children and Families. Lusczynski and her team set up the new division’s structure and processed and hired its staff. “It was a complete start-to-finish operation,” she said. “Again, it exposed me to a lot of the administrative tasks and allowed me to set up a division from the very bottom to completion.” While there, she was promoted to lieutenant.
Eventually, she was promoted again, to the rank of captain, and assigned to Patrol District III. “I hadn’t been [on patrol] in a while, so it was good for me,” she said.
She was then promoted to the rank of major and became the division commander of the Special Investigations Division, which brought her back to her early career work in narcotics and vice. “I was very familiar with that,” Lusczynski noted.
When a colleague retired, she then took over the Criminal Investigations Division as commander. In this division, she handled a variety of cases – juvenile, homicide, violent crimes. “It exposed me to even more areas I hadn’t been intimately involved with,” she said.
She went on to receive a master’s degree in public administration from Troy State University. She also trained with the prestigious FBI National Academy, a leadership course for local law enforcement.
In 2012, she was promoted to colonel and became commander of the Department of Investigative Services, overseeing Special Investigations, Criminal Investigations and Child Protective Investigations Divisions. “I was fortunate to have already worked in each of those three areas,” she said.
On a daily basis, she works closely with the majors of these divisions “to make sure administratively they have what they need,” she said. “I also respond out on major homicides or significant cases.”
Two cases stick out in her mind, both homicides in the affluent community of Avila in North Tampa. One took place on Super Bowl Sunday, she recalled. An employee for a couple living in the community robbed the wife and killed the husband. “It was a high-profile incident,” Lusczynski said. “We didn’t know he was involved, initially. It took a lot of great work to figure it out.”
The second case involved a father murdering his two children and his wife before setting their home on fire. “That was a very public case as well,” she said. “Not just because of the manner in which he did it, but because the house was owned by a former tennis player. It was a very disturbing scene. Anytime you have a father kill his children, it’s horrible.”
She added, “They were both pretty brutal crimes.”
Working in law enforcement can be a challenge mentally, Lusczynski said. So she tries to focus on the positive.
“I just remind myself that the work that we’re doing provides some justice to the families and the victims. We take the reins, take hold and do the best we can so we can provide some peace in this horrible time,” she said.
She added, “There’s a lot of good out there. I see the good my detectives do. I see the positive. I don’t want it to seem dark and dreary. We help people and children and that’s what’s important to us.”

Silhouettes presents Shelby Bender

Silhouettes: by Tiffany Razzano
published 2/10/2017

An eighth-generation Plant City resident, Shelby Bender remembers the exact moment she recognized the importance of community.
As an elementary school student, one of the teachers would enlist the help of local children to collect money for the American Heart Fund. Bender and her sister were selected one year and helped that teacher for as long as she can remember. Dressed in their Sunday finest, the group of students went door to door, asking their neighbors to donate to the cause. Afterward, they’d meet at the TECO community center for refreshments and to discuss how much they collected. “That was probably the start of my being active in the community,” said Bender, executive director and president of the East Hillsborough Historical Society. “I’ve always been passionate about giving back.”
Aside from spending a few years in Gainesville while her husband attended college, Bender has spent her entire life in Plant City. “Some people have real strong roots somewhere and they’re well established,” she said. “I’m one of those people.”
When she and her husband returned to their hometown, they took over the dry-blend fertilizer manufacturing company his family had owned and operated for decades in Plant City. Though she went on to earn her associate degree from Hillsborough Community College while her children were little, she decided not to pursue a bachelor’s degree at the time. “I had my full-time job with the family business. I was happy with what I was doing and the family was comfortable,” she said.
Then, after running the business for 30 years, Bender and her husband decided to shut down the manufacturing plant. The company had been in existence for 81 years. “At one point in time, Hillsborough County was a very large agricultural community,” she said. “But things change.” Forty years ago, there were “eight or nine dry-blend fertilizer companies” in the county, she added. “Now there are none.” Her family’s company at one time had been located in the heart of the city, near the railroad tracks, but Plant City’s midtown expansion forced them out.
Bender was 56 years old when the company closed down. “We had to reinvent ourselves and start over,” she said. “Sometimes in life you just have to write a new chapter.”
She decided to go back to school and complete her degree, earning a bachelor’s degree in general studies from St. Leo University and, later, a certificate in nonprofit management from the University of South Florida. She also worked for a year as finance secretary for Mulberry High School.
Even while running the company with her husband, she was always heavily involved with community activities, spending much of her time volunteering for the East Hillsborough Historical Society. Running her own business gave her the flexibility to spend a significant amount of time with the historical society. In fact, for years she was in charge of many of the duties she takes on today as executive director and president of the group. “When you own your own business, you can make your own hours,” Bender explained. “But I no longer had that flexibility while working for the school.”
So she and the historical society decided to get creative. The group always had an administrative person working part-time in the office. When that role opened up, they decided to revamp it, creating the executive director position for Bender. “I wanted to do this and I knew I could do this,” she said. “We just had to approach the role a little differently.”
As executive director, she works out of the historic 1914 Plant City High School Community Center – her former junior high school – which houses the EHHS office, Pioneer Museum and Quintilla Geer Bruton Archives Center.
Bender has always been interested in local history, as well as genealogy. She remembers as a young girl her grandmother telling her about their family history. “She was very influential. My own interest in our family history just kind of went from there,” she said.
Learning about her family, “who they were in reality, what they did, what kind of people they were,” connected her to her roots and strengthened her sense of self.
She’s traced her family lineage as far back as the 1600s, to England, Scotland, Germany and Russia. “As you keep going back, you develop an interest not just in local history, but in history throughout time,” she said.
She added, “It’s really interesting to see how they existed. A person might think we’re in hard times now, but no, we’re not in hard times.”
She’s also built up a roster of private clients, especially in the realm of adoption research. For nearly 25 years, Bender has worked with adoptees and birth families to make connections.
Bender has also co-authored four books on Plant City history and Tampa cemeteries. In fact, in addition to genealogy and family histories, her other specialties include historic preservation, the history and care of cemeteries and funerary art. “A cemetery is a true history of a community,” she said.
She serves on several other local organizations as well. She is chair of the Plant City Historic Resources Board. The board oversees three local and national register historic districts. She also serves on the Hillsborough County Historic Preservation Grant Panel and the Plant City Main Street Board of Directors, and is secretary of the Florida State Genealogical Society. And as a nearly nine-year member of the Hillsborough County Historic Advisory Council – and recently member emeritus – she’s helped establish numerous historic markers throughout the county by recommending and finding sites with historical importance to the community. Some of these locations include the Hillsborough County Cemetery, which served as a pauper’s cemetery, and Florida College in Temple Terrace.
The EHHS also hosts numerous events throughout the year in an effort to reach out to the community. They organize Pioneer Heritage Day each November, holding an open house at the 1914 Plant City High School Community Center. The organization is also gearing up for their upcoming fundraiser, one of their biggest of the year, Bender said, running a strawberry shortcake booth at the Florida Strawberry Festival.
In addition, the group sponsors and runs a number of workshops for the community, from genealogy to cemetery care and preservation. The next workshop is “Copyright Workshop for Authors, Artists and Musicians,” to be held Saturday, Feb. 4, 10 a.m. to 1 p.m., at the 1914 Plant City High School Community Center. The workshop is free and preregistration is required.
Then, on Saturday, Feb. 11, 7 to 10 p.m., the center will host the Florida Opry’s Country to Pop tribute show to country music legend Patsy Cline.
The organization tries to reach the community any way that it can, Bender remarked. “It’s important that we all remember where we came from,” she added.